![]() The final track “Heading West” is a celebratory anthem. The least “beach” feeling on the album, it’s still easily a vintage flavored track. It’s an intriguing track that’s about obsession in relationship, but not in a creepy way. I’m pretty sure they kept “Floodlights” in the same key as the song that precedes it. In other words, it might sound like beach music, but this isn’t the theme song for your beach party. I can’t count how many strangers you let in…” Layers of complexity, it’s clearly a song with a sweet California sound and a deeply-emotional core. They were all awkward.) Anyways, “I don’t mean to be taking you over, but I can’t stand when you leave through the back door. (Oh seriously, don’t act like you ever had comfortable, normal slow dances in high school. Featuring a female lead vocal and a handsome dose of duo harmonies, the song has more of the awkward-high-school slow dance feel to it. “So Open” is a song full of relational angst. Seriously this song should be playing in one of those vintage clothing shops. “Hold it right there… don’t you want to keep me on the line?” The lyrics on this one feel a bit antiquated. Usually reverb makes vocals soar (like Adele), but these just sound quaint. But what doesn’t make sense (in the best way possible) is that they also sound intimate and a little bit adorable. I’m not sure if it’s some sort of vocal effect in the recording process to create the reverb on the voices, but it makes them sound bigger and more powerful than they probably are. “Hold the Line” again highlights some pretty wonderful harmonies. It was the first track I heard on the album and hooked me from the start. The guitar on it takes listeners back to the 60s but the lyrics keep it new and exciting. So their early release single is a poppy love song “Secrets” that drips with teenage emotion. Trust me on that one! The album will be out on September 23, so get ready to grab a copy for yourselves. They are not only a band to keep an “ear” out for… they’re a band you’re going to adore from first listen. Feeling fresh and authentic, Jack and Eliza do vintage right in their debut EP. ![]() With left coast 60s guitar swagger and Beachboys-esque harmonies, their sound is reminiscent of the California sun. The Manhattan natives recently released their debut EP, titled 'No Wonders', and they picked up critical attention for being a part of the 'retro rock' movement alongside alternative music artists such as Tame Impala and The XX.Okay so that tag line might be a bit much. The duo are perhaps best known for the songs "Hold the Line" and "Oh No". Read Full Bio Jack + Eliza is the name chosen by the singing and songwriting partners of Jack Staffen and Eliza Callahan, both of them musicians since their early teens, to produce lo-fi, stripped down tunes reminiscent of 60s surf rock and pop music. The Manhattan natives recently released their debut EP, titled 'No Wonders', and they picked up critical attention for being a part of the 'retro rock' movement alongside alternative music artists such as Tame Impala and The XX. Jack + Eliza is the name chosen by the singing and songwriting partners of Jack Staffen and Eliza Callahan, both of them musicians since their early teens, to produce lo-fi, stripped down tunes reminiscent of 60s surf rock and pop music. Overall, the song captures a sense of longing and disappointment, but also resignation and acceptance. The line "Thought I could hold you, So sweet, so sweet, Thought I did it to you, So sweet, so sweet" suggests that the speaker was hoping for a strong and lasting connection, but it has not materialized. The rest of the lyrics in "Quarter Past The Hour" continue to reiterate the sense of confusion and uncertainty in the relationship. The line "and my body's cold" could be interpreted in a literal sense, as though the speaker is waiting outside in the cold, or it could be a metaphor for the emptiness they feel inside. The time reference of "a quarter past the hour" creates a sense of urgency, but also implies that time is slipping away. The lines, "Hold me baby up, A quarter past the hour, and my body's cold" suggest that the speaker is waiting for something to happen, but it never does. The repetition of "I don't mind" throughout the song indicates a sense of resignation, as though the speaker has accepted that they can't change the situation. ![]() The lines, "Calling you out to take it on, I don't mind" and "Ruling it out, do what you want, I don't mind" suggest that the speaker is willing to let the other person take control and make decisions, but they are also ready to stand up for themselves if necessary. ![]() The lyrics to "Quarter Past The Hour" by Jack + Eliza seem to be about a couple who are experiencing difficulties in their relationship.
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